Beauty Rediscovers The Male Body Bordo Pdf

  

Bordo is a very slow writer compared to me. She takes time to describe and examplify every point she makes in the essay. She will make her point then use easy to understand and relatable examples to make sure that the readers can fully understand the point that she is making. She goes in to details (though they may not seem as formal like other writers because of the lingo she uses and because she talks about her own personal feelings) which makes the essay more of an enjoyable reading that might appear in a magazine rather than in a collection of essays like this which contains writers with writing styles like Percy. She makes me realize how much I do not go in details with my point and sometime s my writing seems as if I assume that the readers automatically know what I am talking about. I would be interested in trying out Bordo’s writing style and incorporate my feelings and personal expereinces (which I wastaught not to do in high school) though I still might feel like my writing is too informal if I wrote in this style.

Beauty Rediscovers The Male Body Essay

Beauty Rediscovers the Male Body - Wikispaces. Susan bordo beauty re discovers the male body pdf Beauty rediscovers the male body. Excerpts from Susan Bordo, The Male Body. Susan bordonaro His body.

The subsections in the essay are organized by first starting out with her main point (with references to writers or philosophers) and then personal examples or examples from the media that support her main points. So in her writing it goes from serious to less serious in a section then starts again with serious when a new subsection starts. The slowest reading for me would be where she presents her points in a formal manner because this does not cope well with my a.d.dness. The loudest parts are where she becomes very descriptive to the point where I can illustrate what’s going on in her examples (even though these are the risque parts).

The slowest parts are placed in between the loud parts which helps with the rhythm of the reading becuase as soon as I start to get bored with the reading, an interesting part comes up and captivates my attention again. These loud moments, that actually capture my attention mor e than the serious parts where the points are made with words and not imagery created by words, allows her arguments to become more effective in terms of being convincing. Bordo states “women may dread being surveyed harshly but men are not supposed to enjoy being surveyed period.

It’s feminine to be on display. Men are thus taught to be a moving target.

Get out of range of those eyes, don’t let them catch you- even as the object of their fantasies” (172) In this she talks about how society has made it so that it’s bad for women to be judged harshly when she inhabits the subject position but it’s bad for men to be judged at all (be in the subject position). Progdvbpowerinstall7.7.1 Exe. She also supports it by writing about what Ashbery said (176) about how male nude photography is overexposure when this overexposure happens to women all the time. Bordo strengthens her argument very strongly when she says substitute this argument (Ashbery’s) with words blacks and whites for women and males on page 177. This becomes very convincing because readers are able to see how offensive this statement can be with this substitution. (image from polo.com) (image from Abercrombie.com). Related This entry was posted on October 25, 2006 at 8:17 pm and is filed under. You can follow any responses to this entry through the feed.

You can, or from your own site. One Response to “beauty rediscovers the male body-questions for a second reading” • Says: So your first step in writing an assigned paper occurs well before you begin writing: You must know what your instructor expects. Start by assuming that, unless you see the words “Summarize or paraphrase what X says about...,” your instructor is unlikely to want just a summary. Beyond this point, however, you have to become a kind of anthropologist, reading the culture of your particular class to understand what is said, what is not, and what is intended.